The Night of The Gun by David Carr

It had been a very long time since I thought about reading a book on addiction when I received an e-mail about reviewing The Night of the Gun, a story by NY Times writer David Carr.

So, I sat. I stared at the book for a week not knowing if I was ready to dive into someone elses personal account of addiction for fear of rehashing my own. I only knew David Carr from reading his work in The New Yorker. My knowledge was limited. Still, I did not Google him. Did not read any other reviews. I knew this book would impact a part of my life, a part that I wasn't sure I wanted to think about. And that itself scared me from picking it up. Finally, a quiet weekend on the farm came along and I began reading. Twenty hours later, after little sleep, feeble dog walks and minimal sustenance, I finished quite possibly one of the best addiction memoirs I have every read.

The premise of the book is based on David Carr's experience as a journalist intertwined with his life as an addict. He has gone back to "fact check" his former life, whether from lapsed memory or the need we have in recovery to make sense of our past experiences. The result of his fact checking leads to the telling of a man who is able to do something most of us in recovery would both love and loathe; he is confronting who he was and how he came to many different points in his life. He is connecting a murky past with his more clarified present. And in doing so, he recounts life as an addict and the lives his addictions affected with detailed honesty.

Carr writes:

Even if I had amazing recall, and I don't, recollection is often just self-fashioning. Some of it is reflexive, designed to bury truths that cannot be swallowed, but other "memories" are just redemption myths writ small. Personal narrative is not simply opening up a vein and letting the blood flow toward anyone willing to stare. The historical self is created to keep dissonance at bay and render the subject palatable in the present.

This is a primary factor in life as a recovering addict, where we look at the truths of our lives as we are able to handle them. When we suddenly realize our story is less a narrative than a complex and deeply rooted journey of self perception. Carr captures this in every chapter. The almost third party distance he keeps in the tonality of the book captures the way an addict lives their life, slightly disconnected. Yet, there is realness to the pain and suffering that after I was done reading, the emotions ran hard and deep.

I will not recap the elements or other characters within the book. They are all pivotal and well developed. But, to review them does not give justice. It unfolds with great synchronicity and the book itself is the invitation. For those in recovery, like myself, I could see my own behaviors. I could vicariously go through my own fact checking to assign some semblance to the tornado of drama that preceded the calm.

The Night of the Gun is a serious read. For those in recovery, thinking about it, out of it, around it or not in it at all. It's real. It's honest. And, while the ending is happier but not fluff, you know that Carr's life will continue to be immersed in the struggles of a recovering addict. And he conveys his thoughts, his intentions and his actions with brutal honesty, or dishonesty that comes with being who we are.

I am not an enthusiastic or adept liar. Even so, can I tell you a true story about the worst day of my life? No. To begin with, it was far from the worst day of my life. And those who were there swear it did not happen the way I recall, on that day and on many others. And if I can't tell a true story about one of the worst days of my life, what about the rest of those days, that life, this story?

This book takes the lies that we all tell in our own lives as addicts. The writing allows us a glimpse of what would happen if we could go back to every person in our past and ask them for the truth. And Carr conveys both the lies and the truth in such a way that, when finished reading, I actually forgave myself for all the people I had hurt. And that is one of the biggest accomplishments we can notch into the great big recovery belt strapped around our waists.

For more information, click on the book above, or go to http://www.simonsays.com/content/book.cfm?tab=1&pid=625091

David Carr's NY Times Magazine article, "Me and My Girls": http://www.nytimes.com/2008/07/20/magazine/20Carr-t.html

The Last Glass.

I started with twenty-four. Twenty-four Waterford wine glasses. It was weeks before my wedding to the man I so arduously loved. Some were gifts from my family. Many were gifts from our friends. The blue boxes with white ribbon poured in like the wine collection I so astutely built. I took each one out of the box, unwrapping their delicate tissue. The chardonnay glasses with their spindled stems- as if ready to be caressed by the sophisticated hand. Waiting for the candlelight to pour through, reflecting romantic evenings. The cabernet glasses with their wide mouths waiting for a supple reward. I could tilt the glass back to meet the succulence in my lips. Finally, my most cherished eight..the Bordeaux glasses. They were the generals in my army. The glasses were heavier in weight yet far more elegant than the rest. I sat waiting for the right vintage to begin my revolution.

I whimpered when I broke the first six. Three months after my nuptials to the man I thought I loved. The expensive vintage collection began to dwindle. In its place came the bottles that I found at a local winery. Not a bottle from Georges Duboeuf, but some fine wine. A large soiree, friends mingling around the fire. Forbidden fruit poured endlessly by the gracious host, who was subsequently in the Garden of Eden herself. Words began to unfold and emotions began to erupt. First went the chardonnays. Thrown with such vigilance. Aimed right at my beloveds head. There went two hundred dollars towards the refrigerator door. Tearfully, I swept up the shards of glass. But, alas there were eighteen more. I still had the reds. In my battle, I had lost a troupe but still had soldiers.

I cried when I broke the next four. In the early light of spring, I reached for a glass. My coordination stifled by my constant imbibing. I poured a bottle of inexpensive cabernet into my tall glass. I no longer took trips to the winery anymore. I had been there far too often; my face was beginning to be recognized by the patrons. I searched for replacements and conjured up my imaginary wineries in Southern France. I could pretend. I could pretend that my wine rack was not empty. I could pretend that I was not alone. I was drinking away the grief that his silence caused. The grace of the Waterford could not still my shaking hands. I dropped them. Four of my best friends dropped in one evening. With such ferocity, I tried to save them. I had my own personal drunken funeral for my glasses. Tossed into the trash compactor.

I sobbed when he took the next eight. Fall had come. He left with the decanter. The wonderful Waterford decanter. With it etchings so meticulously set in the glass. He lovingly wrapped up the reds and left me with six. He continued the romance, the love affair with elegance and sonnets. Only, my glasses were now empty on the shelf. No life seeped into them. No reflection from candles would burn again. Dust began to choke my thirst. And the flames had been extinguished. Candlelight would no longer pour through the same glass. The wine bottles taken to a new place. To begin a new life. Without me.

I panicked when I broke the next five. One more left. I no longer looked at the glasses with a fervent eye. I used them for anything that could numb the pain. Vineyards had stopped producing the fruit of my garden. In its place found the weeds of alcohols existence. I could only bring myself to lift the glass if it contained venom. I had begun to despise the glasses for the life that used to be contained in them. Glamour had ceased to exist. The clanging of glasses was not in toast but in concerted effort to forget celebration. If the glass was not full, I panicked. Pouring into the loneliest, endless black hole. But not even the last of the glasses could sustain the ache. I threw them in angst. Threw them into the floor as if I could demolish my past. As if I could break this state of destruction. Angry rants begot sophisticated conversation. The stems became daggers into my own heart. One final glass remained.

I rejoiced when the last one broke. It stood on the shelf. An icon to my former life. I worshipped the last glass as if it was on a pedestal. Like a far removed screen star. I looked lovingly at the shining reflection every evening. Yet, I hadnt touched it in months. Hadnt caressed its sleek, smooth body. A friend from my old life came. She let it go. It slipped out of her hand. I watched it. I saw its demise. Falling, falling, it shattered into tiny pieces. The stem no longer recognizable. The body marred. Suddenly in one moment, the pieces were gone in the trash. I had scraped them up and thrown them into the past. I looked up. My heart lifted. The war was over. The Waterford was gone. The whites, the reds gone from my life. The wine defeated. Swept up into a pile and discarded into the past. I smiled.

My glass was empty. My life was full.